{"id":551,"date":"2016-11-23T18:29:03","date_gmt":"2016-11-23T18:29:03","guid":{"rendered":"https:\/\/didacgilabert.com\/en\/?p=551"},"modified":"2026-01-20T10:53:31","modified_gmt":"2026-01-20T10:53:31","slug":"erm","status":"publish","type":"work","link":"https:\/\/didacgilabert.com\/en\/work\/erm\/","title":{"rendered":"<span class='main-title'>Erm<\/span> <span class='secondary-title'>Um olhar ao desastre humano<\/span>"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Erm<\/strong> is a project created by dancer and artist Teresa Santos, reflecting on destruction and the human capacity to rebuild. Inspired by elements such as the documentary <em>The Salt of the Earth<\/em> by Wim Wenders and Juliano Ribeiro, and the paintings of Ferdinand Hodler, Teresa explores barren spaces and places where life spontaneously reemerges, connecting the landscape with movement and expression.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this project, I collaborated as an external eye, supporting the development of the proposal and recording the music performed by Jorinda Mill\u00e0. I also adapted the piece into a lighter version to be operated independently, structuring and modulating the sound with Ableton to meet the specific needs of the project.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Erm<\/strong> allowed me to delve into the intersection of music, landscape, and emptiness, contributing a sonic perspective that accompanies the emotions and transformative ideas at the heart of Teresa Santos&#8217; work.<\/p>\n\n\n\n<div style=\"height:var(--wp--preset--spacing--60)\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<pre class=\"wp-block-preformatted highlight\">More complete project information at \u00bb <a href=\"https:\/\/teresasantos.pt\/portfolio\/erm\/\" target=\"_blank\" rel=\"noopener\">https:\/\/teresasantos.pt\/portfolio\/erm\/<\/a><\/pre>\n\n\n\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6a5ad78319442&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery has-nested-images columns-2 is-cropped 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data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1267\" src=\"https:\/\/didacgilabert.com\/wp-content\/uploads\/2016\/11\/Erm-Teresa-Santos-Grito-imagens-Nuno-Leites-01.jpg\" alt=\"\" class=\"wp-image-1267\" style=\"border-style:none;border-width:0px\" srcset=\"https:\/\/didacgilabert.com\/wp-content\/uploads\/2016\/11\/Erm-Teresa-Santos-Grito-imagens-Nuno-Leites-01.jpg 2048w, https:\/\/didacgilabert.com\/wp-content\/uploads\/2016\/11\/Erm-Teresa-Santos-Grito-imagens-Nuno-Leites-01-768x512.jpg 768w, https:\/\/didacgilabert.com\/wp-content\/uploads\/2016\/11\/Erm-Teresa-Santos-Grito-imagens-Nuno-Leites-01-1200x800.jpg 1200w, https:\/\/didacgilabert.com\/wp-content\/uploads\/2016\/11\/Erm-Teresa-Santos-Grito-imagens-Nuno-Leites-01-300x200.jpg 300w\" sizes=\"auto, (max-width: 2048px) 100vw, 2048px\" 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Santos about destruction and regeneration, where I contributed recording and transforming the music for live 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